Nathalia Edenmont

View artist information
2011
C-print mounted to glass in a black wooden frame
C-print mounted to glass in a black wooden frame
C-print mounted to glass in a black wooden frame
C-print mounted to glass
2010
C-print mounted to glass
Lightjet print mounted to glass
C-type print mounted to glass
C-print mounted to glass in a black wooden frame
2009
C-type print mounted to glass
Gelatine print mounted with glass in a black wooden frame
C- print mounted to glass in a black wooden frame
C-type print mounted to glass in a white wooden frame
2008
C-print mounted to glass
C-print mounted to glass in a wooden frame
C-print mounted to glass in a wooden frame
C-print mounted to glass in a wooden frame
2007
C-type print mounted on glass
C-type print mounted on glass
C-type print mounted on glass
C-type print mounted on glass
No Feelings, 2010, Wetterling Gallery, Installation shots
"Requiem", Wetterling Gallery Stockholm, 2012
C-type print mounted to glass in a black wooden frame
C-type print mounted to glass in a black wooden frame
C-type print mounted to glass in a black wooden frame
C-type print mounted to glass
C-type print mounted to glass in a black wooden frame
C-type print mounted to glass
C-type print mounted to glass in a black wooden frame
C-type print mounted to glass in a black wooden frame
C-type print mounted to glass in a black wooden frame
C-type print mounted to glass
C-type print mounted to glass in a black wooden frame
C-type print mounted to glass
C-type print mounted to glass in a black wooden frame
C-type print mounted to glass in a black wooden frame
C-type print mounted to glass in a black wooden frame
C-type print mounted to glass in a black wooden frame
C-type print mounted to glass in a black wooden frame
C-type print mounted to glass in a black wooden frame

Nathalia Edenmont

Probing and provocative, the work of Natalia Edenmont explores popular culture through the medium of photography. Through the juxtaposition of opposing subjects and aesthetics, Edenmont’s work is rife with a characteristic tension as she explores themes including the deceptive nature of cultural norms, conformity, the repression of the individual, and double standards in western society. With a strong embrace of symbolism, and clear references to historical genres of art, Edenmont’s artful, and frequently beautiful, arrangements can be viewed as a modern expression of traditional iconography.

Born in Yalta, Ukraine, 1970, Nathalia Edenmont received her art education at Yalta Art School for Children, Yalta, Ukraine, State Art School of Kiev, Kiev, Ukraine, Simferopol State Art School, Simferopol, Crimea, and Forsberg’s International School of Design, Stockholm, Sweden. Her work has been exhibited throughout Europe and the United States, and has been featured in publications including Étapes Magazine, France, Black Book Magazine, NY, Beaux Arts Magazine, France, and TANK magazine, London. Edenmont has resided in Sweden since 1991.