
Amy Simon
Io No. 53
Coloured pencil on paper
31h x 23w cm
Amy Simon
Io No. 62
Coloured pencil on paper
31h x 23w cm
Amy Simon
Damaged No 7, 2019
Colored Pencil On Paper
41 x 31 cm / 16 x 12 in
Amy Simon
Damaged No 9, 2019
Colored Pencil on Paper
41 x 31 cm / 16 x 12 in
Amy Simon
Damaged No 13, 2019
Colored Pencil on Paper
41 x 31 cm / 16 x 12 in
Amy Simon
Still Life No 1, 2020
Colored Pencil on Paper
84.5 x 63 cm (framed)
Amy Simon
Still Life No 2, 2020
Colored Pencil on Paper
84.5 x 63 cm (framed)
Amy Simon
Indiscreet Harlequin No.1963.60.303, 2018
Colored Pencil on Paper
45 x 35 cm / 17 x 13 in
Amy Simon
Sultan No.1982.60.188, 2015
Colored Pencil On Paper
45 x 35 cm / 17 x 13 in
Amy Simon
No.16, Venetian Dreams, 2014
Colored Pencil On Paper
41 x 31 cm, 45 x 35 cm (framed dimensions)
Amy Simon
No.13, Accession Number: 64.164.54, 2014
Colored Pencil On Paper
41 x 31 cm, 45 x 35 cm (framed dimensions)
Amy Simon, photo Jean Baptiste Béranger
Amy Simon’s works are evocative meditations on the nature of recollection, identity, and the significance of place.
Encompassing photography, drawing, sculpture, and documentary film, her practice often draws from personal experience. A key example is her extended suite of works titled Io (Italian for "I"), which explores the conventions of portraiture through self-representation, examining emotions, identity, age, and gender.
Simon’s earlier series A different STATE of mind homed in on domestic interiors, capturing separate emotional worlds within each room. The series The way of nature. The way of grace. consisted of surreal photographs and drawings of taxidermized animals in displaced environments, while Everybody Loves Angels focused on the cultural history of angels.
Her 2017 show (almost) Everybody I Say Hello To at Wetterling presented more than 200 portraits of people Simon has met — highlighting the similarities in their features despite differences in gender, age, and ethnicity — a welcome act of connection at a time of global political division.
A conceptual artist working across media and scale, Simon uses images to cull memories and relive experience. Her work invites viewers to explore questions about their own history and to examine themes of memory, belonging, dislocation, and impermanence.
Born in New York City in 1957, Simon received a bachelor’s in fine arts from the University of Florida, and a MA from New York University. Simon has exhibited extensively in Sweden, as well as in Paris, New York and Tel Aviv. Her work has been exhibited at the Venice Biennale (2009) and can be found in private and public collections globally, including the Modern Museum Stockholm. The artist lives and works in Stockholm, Sweden, and New York City, US.
Group show with Kim Booker, Ylva Ceder, Angela de la Cruz, Nathalia Edenmont, Liva Isakson Lundin, Jason Martin, Anna Pajak, Amy Simon, Alexis Soul-Gray, Doug & Mike Starn, and a solo presentation of Marjolein Rothman.
Photo by Per Myrehed. Courtesy of Wetterling Gallery and Amy Simon
Photo by Per Myrehed. Courtesy of Wetterling Gallery and Amy Simon
Participating artists: Linda Bäckström, Anna Camner, Ylva Ceder, Nathalia Edenmont, Liva Isakson Lundin, Dina Isæus-Daggfeldt, Peter Johansson, Love Lundell, Malin Molin, Fredrik Nielsen, Anna Pajak, Amy Simon.