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WG.93

Linda Bäckström

The World's End

May 17 – June 29, 2018

Linda Bäckström

Linda Bäckström
Chopping Block, 2018
Polyurethane Foam, Paint, Flakes, Epoxy
70 x 70 x 150 cm

Linda Bäckström

Linda Bäckström
Talons, 2018
Aluminium and Paint
20 x 70 x 90 cm

Linda Bäckström

Linda Bäckström
Dead Flowers, 2018
Polyurethane Foam, Aluminium, Lacquer, Gelcoat, Epoxy
120 x 60 x 60 cm

Linda Bäckström

Linda Bäckström
Tarred and Feathered, 2018
Aluminium, Gelcoat, Feathers, Lacquer
130 x 60 x 80 cm

Linda Bäckström

Linda Bäckström
Panther, 2018
Aluminiun, Paint, Gelcoat, Epoxy
130 x 60 x 80 cm

Linda Bäckström

Linda Bäckström
Crusher, 2018
Aluminium and Paint
110 x 30 x 80 cm

Linda Bäckström

Linda Bäckström
Two Headed Fawn, 2018
Polyurethane Foam, Wood 
110 x 60 x 140 cm

Linda Bäckström

Linda Bäckström
Woodpecker, 2018
Polyurethane Foam, Paint
160 x 115 x 50 cm

Linda Bäckström

Linda Bäckström
Chainsaw, 2018
Aluminium
40 x 35 x 90 cm

Linda Bäckström

Linda Bäckström
The End, 2018
Aluminium, Paint
5 x 8 x 40 cm
Edition of 19

About

The exhibition The Word's End starts off in the world of fairytales. You enter the exhibition through an installation in the shape of a candy store. Bright colors, candy sculptures, lollipops and chocolate. A narrow door leads to a room where well know figures from different stories are hidden: the hair of Rapunzel, Bagheera and the spinning wheel from Sleeping Beauty. But here the fairytale figures are transformed and has turned into something new. They are soft, wild, in bright colors, and deformed. The good has become evil and the evil has become good.

 

The Lost Predator
Maria Lönn

The idea of nature’s unbridled essence is a fundamental narrative for what it means to be a human being. Like a mirror, nature stands for all that lacks control contrasting with humans who represent whatever is controlled. In the wildness of nature dwells all that we have abandoned, everything that is dirty, uncontrolled, animalistic. As early as the 16th century philosopher and statesman Francis Bacon insisted that nature had to be “bound into service” and “made a slave”.