A color field painter with a clear nod to the New York School tradition, Eric Freeman reconfigures the metaphysical qualities of abstract painting for today’s contemporary age. Freeman’s work is a reductive technique where luminescent geometric forms — often reminiscent of modern technologies such as plasma screens and video games — swell and recede in illusionary space. Assertive, yet contemplative, Freeman’s work draws comparison to abstract painters such as Mark Rothko, Ellsworth Kelly, Frank Stella, and Joseph Albers.